Rubric Chair and author

Architecture, Art, Body Adornment, Music and Food
5995738431_7fa291e658_bJudith (Judy) Selk Flores, PhD, retired in March 2011, after serving as Advisory President and Historian for Historic Inalahan Foundation, Inc., a non-profit Corporation whose mission is to revitalize the Inalahan Historic District.  Originally from Colorado, Flores and her family moved to Guam at age eleven when her parents accepted teaching jobs in 1957. The family was the first off-island American family to be housed in the southern village of Inarajan, where Flores grew up immersed in the rich cultural traditions of the village. She learned to speak Chamorro fluently and married into the culture. She and her husband, Juan N. Flores, have two grown children and seven grandchildren.

Artistically inclined from an early age, Judy Flores earned a degree in art education from the University of Guam and taught art in secondary school for ten years. During her early years of teaching she began experimenting with the wax and dye art media of batik, which became her primary medium of artistic expression. Flores used the batik medium to paint vivid impressions of Chamorro cultural scenes and activities that were rapidly disappearing in the 1970s. As she continued her master’s and PhD research, her paintings reflected her increased interest in Chamorro history and cultural values.

In the days before Guam had art galleries, Flores marketed her work through art fairs and through consignments with small gift shops. Her work was often chosen by Guam officials as gifts for visiting dignitaries. As the tourism economy developed, hotels, restaurants, and professional offices commissioned batiks by Flores. The Percent-for-the-Arts law of 1989 required that all public buildings, including hotel properties who received tax exemptions, were required to spend 1 percent on local art. Flores was among several artists who produced large works for the Hilton Guam Resort & Spa, which still hang in their lobbies, foyers, and guest rooms. During the 1970s and 1980s a vibrant artistic community flourished through art festivals at Turtle Cove in Yona, Governor Joseph Flores (Ypao Beach)Park in Tamuning, Plaza de Susana in Hagåtña, and Jeff’s Pirates Cove in Talofofo.

Flores was a founding member of the Guam Visual Arts Guild, whose members organized the annual Kaleidoscope Weekend of Arts Workshops for over ten years. In 1981, she founded Guahan Art, a student art development organization that encouraged talented young artists to demonstrate, display, and market their work.

She worked with Senator Carmen Kasperbauer’s Legislative Committee on Culture in 1981 on legislation to create the Guam Council on the Arts and Humanities Agency (CAHA). She later was invited to join the first Chamorro artists organization, Acha’ot Guahan Siha. She exhibited at the CAHA Gallery, the Creative Hands Exhibit at the University of Guam Isla Center for the Arts, The Guam Gallery of Art, and sold her work through Colorful Creations, a gallery/gift shop. In 2002, Judy Flores’ sister, Amy, opened the Framed, Etc. gallery in Anigua, which features Judy Flores’ original paintings, limited edition prints, and reproductions in cards, books, and glass.

She was the first graduate of the Micronesian Studies Masters Program in 1996, and then began her PhD studies in Arts of Oceania at the University of East Anglia in Norwich, England.  She received her PhD in 1999, whereby her research focused on the Mariana Island Chamorros’ identity through the arts.  She continues to assist the revitalization of historic Inalahan through her private efforts as a volunteer.

Her publications include:

● Forthcoming, 2010. “Dress of the Chamorro.”  In Berg Encyclopedia of World Dress and Fashion, Vol 7 – Australia, New Zealand, and the Pacific Islands. Oxford, UK:  Berg Publishers.

● 2008. “Paul Jacoulet’s Vision of Micronesia.”  In The Contemporary Pacific 20, 2 (Fall 2008): 513-16.

● 2008-present. Guampedia, Guam’s online encyclopedia, numerous entries. 2008-present.

● 2004. “Artists and Activists in Cultural Identity Construction in the Mariana Islands”.  Toon van Meijl and Jelle Miedema (Eds.)  Shifting images of identity in the Pacific.  Leiden, KITLV Press.

● 2004.    “Folklore in the Classroom”.  Arlene Cohen & Clarisa Quan, (Eds.) Libraries and Archives:  Pacific Islands Association of Libraries and Archives.  Selected papers from the joint conference, 10th Pacific Islands Assoc. of Libraries and Archives PIALA 2000 and 13th Annual Regional Language Arts Conference.  Guam:  PIALA.

● 2002.  “Art and Identity in the Mariana Islands:  The reconstruction of ‘ancient’ Chamorro dance.”  Anita Herle, Nick Stanley, Karen Stevenson, Robert L. Welsch, (Eds.) Pacific Art: Persistence, Change and Meaning. Adelaide: Crawford House Publishing.

● 2001.  “Introduction.”  Francisco B. Rabon.  Pa’a Taotao Tano’:  A way of Life, People of the Land.  Guam:  Irensia Publishing.

● 2001.  “Kantan Chamorrita revisited in the new millennium”.  Helen Reeves Lawrence and Don Niles, (eds.)Traditionalism and Modernity in the Music and Dance of Oceania:  Essays in Honour of Barbara B. Smith.   University of Sydney.  Pp. 19-32.

● 1998.  “Guam” entry in The Garland Encyclopedia of World Music, Vol 9: Australia and the Pacific Islands.  Adrienne L. Kaeppler and J. W. Love (Eds.) New York and London.

Guampedia Entries by Dr. Judy Flores
Åhu: Sweet Coconut Porridge
Ancient Chamorro Concepts of Beauty
Ancient Chamorro Jewelry: Manmade Accessories and Body Coverings
Artist: Ben “Sinahi” del Rosario
Artist: Leonard Iriarte
Artist: Vince Reyes
Chamorro Dance
Chant
Fruit Salad
Gertrude Costenoble Hornbostel
Gollai Åppan: Starchy Vegetables in Reduced Coconut Cream
Gollai Hågon Suni: Taro Leaves in Coconut Cream
Kantan Chamorita
Kelaguen: Meat, Chicken or Seafood with Lemon
Lechen Biringhenas: Barbecued Eggplant with Coconut Cream
Lucia Fernandez Torres
Titiyas: Flatbread